|
Elizabeth Kate Switaj
|
|
Mar
14
2009
How the Gift-Economy Impacts Poetry and Poetic ConversationRead my latest story, "The All-Nighter", at 52|250. I have always been wary of gifts; the first time my sweetie and I met, I almost didn’t allow him to buy me a drink. (Fortunately, a friend of his intervened.) Even small gifts create certain expectations of reciprocation and a sense of obligation. Poetry-publishing being a gift economy, even as it seemingly escapes pernicious market forces, subjects discussion of poetry to another set of strictures, those created by alliances and desired alliances.
A few of these I have personally experienced; others are more speculative. I’m not sure, however, what the solution is. Converting all of poetry-publishing to a money economy isn’t an option: too many excellent publications would be shut down if they were all expected to pay and to turn a profit. Part of the answer is awareness, as some of these actions are no doubt taken unconsciously, but this cannot be a complete answer as some people purposely manipulate the bonds of the gift economy What else can be done? Or should we simply scribble on unconcerned with po-biz nonsense? Possibly Related Classroom Projects From
DonorsChoose.org
Powered by Social Actions
Related Ways to Take Action:
Powered by Social Actions
No related posts. Related posts brought to you by Yet Another Related Posts Plugin. |
Good Post – Partly why Wheelhouse shies away from doing print books, runs online almost entirely, the stakes not lower in terms of publishing per se, especially not in terms of the quality of work, but in terms of poetic free marketeering potential. We are book artists, and so do, on occasion, put out the print book, but as a journal that seeks out new writers, or underrepresented writers, the gift economy ends up stifling our printing urges. I think being up front about it, in submitting work, in soliciting work, etc, i.e., to be quite overt that one isn’t interested in tit for tat, is probably the best way to go here. Agreed, this is a bad consequence of a larger problem, that of neo-liberal economics + general disinterest in arts funding in the U.S. When I publish in other countries I find there to be much less gift economics going on, and, with that, I more often get some form of compensation made possible by public grants that are much more available.
Like or Dislike:
0
0